On mural painting – Almada Negreiros, Spain and dictatorships: Conservation and art historical approaches

Mariana Pinto dos Santos; Milene Gil; Simão Palmeirim

doi:10.34619/ar2r-b807

On mural painting – Almada Negreiros, Spain and dictatorships: Conservation and art historical approaches

Authors

Mariana Pinto dos Santos

IHA-NOVA FCSH / IN2PAST

https://orcid.org/0000-0001-7289-1875

Milene Gil

HERCULES

https://orcid.org/0000-0002-5779-2630

Simão Palmeirim

IELT-NOVA FCSH

https://orcid.org/0000-0002-1404-7665

DOI: https://doi.org/10.34619/ar2r-b807

Keywords:

Mural painting, Modernisms, Dictatorships, Painting techniques, Public art

Synopsis

As part of the Almada project (Lab HERCULES, PTDC/ART-HIS/1370/2020), this book brings together works from the fields of conservation and art history, in a multidisciplinary approach, with contributions predominantly on Almada Negreiros, but also an important study about mural painting in Spain during the twentieth century. The book’s chapters include the results of lectures that took place at the beginning of the project and which have since been developed for publication, as well as recent studies on Almada Negreiros’ mural paintings.